Newwork magazine

This magazine is an artpiece itself and the contributers to this issue, are really worth to consider as a referencework.

 NEWWORK MAGAZINE, Issue 2
Publication

NEWWORK magazine is a large-format arts publication for connoisseurs of fresh ideas. Designed and published biannually by studio NEWWORK, each issue features new work from a wide range of artists and creators in the worlds of fine art, design, high fashion, culture, and politics. From art directors to business leaders, design students to curators, NEWWORK's contributors are united in their passion to push the boundaries of their disciplines. Among the magazine's special features are bold, custom-designed typefaces and a twist on the traditional newspaper format, offering a stimulating juxtaposition of striking design and everyday simplicity. Since pages can be separated, each layout can be hung on the wall as an individual art piece.

While the first issue highlighted the work of artists and designers from New York's creative scene, issue no. 2 of NEWWORK explores the role of imagination in creative life: changing styles, changing minds, changing worlds.

The contributors to issue no.2 are:
Eric Guillemain, Tomokazu Matsuyama, Yoko Ono, Alex Trochut, TVsion, Reona Ueda and Norman Watson.

Formate:
32" x 23"
Ink on newsprint


www.newworkmag.com

Hartmanns/corporate identity

This work the color associations and the subtlety really felt great in this work.

Hartmanns
Client: Hartmanns
Date: 2013
Assignment: Identity
Hartmanns is a catalyst within the modern-day job market. Through recruitment, consultancy, supply of staff, newplacement and outsourcing, Hartmanns is working to help create success in peoples work life.

Based on an existing logo, Re-public has developed a new, modern and distinct visual identity for Hartmanns, reflecting the company's values and high level of professionalism.

The design solution highlights the otherwise ordinary colon symbol in the company name, as the primary expressive element of identity – and elevates it into a symbol, a graphic pattern, an effect layer and super graphics. In this way, the identity becomes the sum of all its elements, rather than merely being defined by a simple logo.

The graphics are supported by a contemporary typeface and distinct use of typography, that is very straightforward and open in its visual apperance – but at the same time also strong and with a bit of an edge, giving it a more interesting visual expression.

The comprehensive design system provides Hartmanns with a professional and easily recognizable platform, across various media and formats. The identity is present in all aspects of business communications – from the smallest details in layout and typography, to accurate color coding on signage and the quality of the office paper stock.

dreimaderlaus

 This time I wanted to share an editorial photography work. I really found it interesting,and an uncommon                             perpective to editorial design.

Susanne Bisovsky  /  haute couture 2013  /  MITGIFT  /  Dreimäderlhaus